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Основы рисунка (PDF на китайском языке)

Основы рисунка (PDF на китайском языке)
Основы рисунка (PDF на китайском языке) Основы рисунка (PDF на китайском языке) Основы рисунка (PDF на китайском языке) Основы рисунка (PDF на китайском языке) Основы рисунка (PDF на китайском языке) Основы рисунка (PDF на китайском языке) Основы рисунка (PDF на китайском языке) Основы рисунка (PDF на китайском языке) Основы рисунка (PDF на китайском языке) Основы рисунка (PDF на китайском языке) Основы рисунка (PDF на китайском языке) Основы рисунка (PDF на китайском языке) Основы рисунка (PDF на китайском языке)
Издательство: 4арт | 4art
Автор: 弗拉吉米尔.马基列夫采夫
Наличие: Есть в наличии
Цена: 780.00 р.
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Author(s): Vladimir Mogilevtsev
Year: 2012 (2nd Edition)
Media: PDF file
Pages: 72
Size: 
3.8Mb
Language: 中国语文

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Highlights
在过去30年来第一个也是唯一的出版物,经批准和列宾美术学院(俄罗斯艺术院),圣彼得堡,俄罗斯的支持制成。简洁,以及与表所示,铸件的解剖,图表,照片由老主人图纸,手册解释了学术绘图系统,并说明工作的各个阶段。在2008年荣获银奖。

Technical Specifications
This is an electronic version of the Fundamentals of Drawing teaching aid, originally printed in Russian. It is rather a reference material that is suggested to be used as a supplement to an existing hard copy. To avoid piracy and to enforce the publisher's rights, all the images are in low resolution, while the text is of the highest possible quality. Please see an example on how your electronic version will look like: pages 18-23.

Description

每一个艺术初学者都面临着两个基本任务:首先必须克服单独观察物体的片面性,同时要学会规范的、有步骤的进行素描绘画。
解决第一个问题的方法是必须进行固定的、长期的训练,逐渐提高自己的视觉观察角度,进而培养形成整体感觉画面的能力,应该多画,多练习速写。当然这些都取决于学生个人的意愿和组织性。
第二个问题可以经过学校中的系统学习来解决。本书在仔细研究俄罗斯素描的基础上,综合教学和创作的经验,总结了一套正确的、分步骤的绘画方法。
本书分三个部分。第一部分和第二部分分别介绍了课堂习作人物头像和人体素描的分步骤绘画方法。学院派的美术院校在这些素描练习的基础上,传授塑造人物形象的基础知识。
本书的第三部分详细介绍了古典艺术的范例资料,以便于更进一步学习研究人物造型。
本书书页的右边介绍了素描绘画的步骤,左边做了相应的说明。这些说明是由文字、图解、素描解剖结构图,以及历史上相似的范例组成,其中还包括一些古典作品中的平面图解等。
根据作者的经验,人体的结构知识只有靠绘画实践才能掌握。所以这本书不仅是一本读物,也是一本可供参考临摹的辅助教材。可以选取一定规格的画板,按照书上介绍的步骤进行绘画练习,在没有老师和模特的情况下,轻松掌握绘画知识。

The first and only publication over the past 30 years, made with an official approval and support of the Repin Institute (Russian Academy of Arts), St. Petersburg, Russia. Laconic, well-illustrated with tables, photographs of anatomical casts, charts, drawings by old masters, the manual explains the system of academic drawing and illustrates the stages of work.

15 years of teaching experience by professor Vladimir Mogilevtsev set forth in the light of traditions of classical Russian school, and on practical assignments, step by step, conveys the essence - the fundamentals of drawing - in a simple and understandable form.This makes it possible not only to understand and explore the modern academic requirements to classical drawing, but also sets the right directions for self-study.

References
This teaching aid written by one of the leading professors of the Department of Drawing of the I. E. Repin Institute is a profound generalization of the teaching practice of drawing in his personal studio at the high school of art. The author shares the method he uses for drawing the human figure and head expounding his view on the sequence of various stages of depiction of form. This treatise may be useful for the young artists trying to improve their skills at depicting the human form. The work reminds one of the infinity of art, its development and perfection. The present teaching aid is unique in its own way among the numerous publications on the methods of teaching drawing skills. The author expresses his own views based on firsthand experience of training future artists. (O. A. Eremeev, Professor, Head of the Department of Drawing of the I. E. Repin St. Petersburg State Academic Institute of Painting, Sculpture and Architecture, Full-Fledged Member of the Russian Academy of Arts)

Drawing is the most important, determinative, one might say, component of the artistic process. Its self-dependent artistic value is hardly attainable without preliminary, at times long practice, comprehension of drawing methods. The aid written by V. A. Mogilevtsev, one of the most experienced pedagogues of the Department of Drawing of the I. E. Repin Institute of the Russian Academy of Arts, is aimed to help a young artist to master the skills of drawing the human head and figure. Many years’ personal experience of teaching enabled the author to create a clear distinct system of work on a drawing. It is of crucial importance that the practical part of the book successively uncovering the stages of work finds its substantiation and development in the reproductions of works by the celebrated masters. No doubt the given aid will be popular with those who aim to unearth the mysteries of the world of Art. (N. S. Kuteinikova, Honored Artist of the Russian Federation, Candidate of Art History, Professor of the Department of Drawing of the I. E. Repin St. Petersburg State Academic Institute of Painting, Sculpture and Architecture)

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